I'll be right back
05.04.2014 - 06.05.2014
Exhibitions
- Upcoming
- Current
- Past
- 2019
- 2018
- 2017
- 2016
- 2015
- 2014
- Chram || Andrzej Żygadło
- Noumen | Mikołaj Rejs
- Storm, Empty collection – SHOWOFF 2014 Month of Photography
- I’ll be right back | Sasha Kurmaz
- Misteria || Katarzyna Kukuła
- Hive | Aga Miłogrodzka
- D.O.M || Andrzej Żygadło
- A house from paintings | Marek Firek
- TRIP FOLK; or enteogens in the service of urban folklore | Sławek Shuty
- 2013
- 2012
- Inside of lights and shadows | Tomasz Prymon
- GOLEM: The Self-sufficit Workshop | Adam Gruba
- The Veblen Effect | Dorota Hadrian
- All this street art | Anna Brandys, Brems, Coxie, Czarnobyl, Massmix, Nawer, Nespoon, Pikaso, Roem, Artur Wabik, Zbiok
- Berlin-Birkenau / Krakers || Łukasz Surowiec
- video R || Piotr Swiatoniowski
- 2011
- Brave virgin | Iwona Demko
- 150 apes | The Krasnals
- Swallow Anxiety | Bartek Buczek
- The wolf is very bad | Natalia Bażowska, Ewa Juszkiewicz, Agata Kus
- Not full / semi-complete | Małgorzata Markiewicz
- Deep field | Kornel Janczy
- Years of education | Michał Zawada
- Dimensions of the echo | Kamil Szpunar
- 2010
- 2009
- 2008
- 2007
- Searching for aura | Ewa Wróbel
- Shame before the repetition | Bartosz Kokosiński
- The Celebration of Erwin Koloczek | Jacek Malinowski
- I almost do not go out | Katarzyna Skrobiszewska
- I’m only here for a while | Maciej Szczurek
- The song Buttes Monteaux with the clip and three oil paintings | Norman Leto
- 2006
- 2005
- 2004
- Portraits of banknotes | Pola Dwurnik
- Holidays on the Red Sea | Marta Paulat
- Everywhere wants to be seen | Katarzyna Skrobiszewska
- Assembly and painting | Marcin Mroczkowski
- Lisboa | Agnieszka Kicińska
- Makro | Karolina Kowalska
- Can you do that? | Malwina Rzonca
- Relatively spacious | Joanna Pawlik
- Tablo | Agata Pankiewicz
- 2003
Opening Hours
Monday-Friday, 9am-5pm
Gallery
Art Agenda Nova
Batorego 2, Krakow



Artist
Sasha Kurmaz
ABOUT EXHIBITION
curator: Ola Nowicka
coordinator: Iga Urbańska
The exhibition is a documentation of an extremely complex and rich in messages phenomenon of Maidan in Kiev. We will see them not through the prism of Polish mass media, but through the eyes of an artist born and raised in Kiev, connected with this city professionally and emotionally. The artist took an active part in events on the Maidan while looking at the influence of the revolution on the appearance of the city. He was interested in elements inseparably connected with the history of social uprisings, and therefore quasi-defensive buildings, mobile barricades, graffiti, elements of guerrilla weapons, (an) architecture of temporary houses and common space with its symbolic layer. The artist tried to stop for a moment the visual arts of the city, its transformations and look at the revolutionary genius loci of the Kiev square. Sasha Kurmaz is a photographer with a strong graffiti backgraund. He has been working with public space since the beginning of the 21st century, so he naturally draws attention to changes in the urban tissue, its fragility and delicacy, as well as the impartiality of the city's body that easily succumbs to aggression, serving both those who limit their freedom as and fighting for her. Due to the constantly changing situation in Ukraine, the exhibition idea has long been winding up. The artist came to Krakow for a six-month scholarship, after two weeks under the influence of emotions, he decided to return to Kiev. He could not fully leave and return fully. The title of the exhibition refers to both the cut up process of its formation and the revolution that awaits no one and is ready to return at any moment.